WEBVTT

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Now the base is better, excellent, if you go, you're in charge.

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Yes.

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Do you want more mic?

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Do you want this mic?

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Yeah.

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I hope this one.

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Okay.

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So I hope you are listening.

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Okay.

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So.

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Thank you.

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Thank you.

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So, for who might be wondering who I am.

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I am Francesco Napoloni.

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Another, they die hard Italian, like Lorenzo.

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Musician.

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And from user of Linux and open source and free software.

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Since almost 25 years.

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By the time I studied at university computer science, one professor told us, you are computer scientists.

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You have to learn some about Linux.

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Do you know Linux?

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Yeah.

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Let's try it.

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And so I tried it.

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And here I am.

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Almost ten years later, I ditched Windows and all of them.

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But I'm running on Fedora Linux since then.

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Red art before and Fedora next.

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So, you know, now who I am, I think is.

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And one thing I want to talk to you about is something and the same group as Lorenzo talk.

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And so what needs a musician to do.

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Some project, a nice project with professional requirements.

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Using Linux.

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Using software that is open source.

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There is free to use.

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We all know that the defect of standard in music production is all about Mac, so Apple platform.

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And all the software that is closed locked in all ways we can think of.

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And so you have to pay for anything you want to do.

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You want the nice library that does the violins with vibrate or articulation of kinds.

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Okay, you want staccato.

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You have to pay something more.

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You want to pay something more.

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Okay, this is fine if you are so rich.

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You can afford to buy all these instruments.

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All these libraries, all these kinds of things that are well marketed.

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Something that is not true for Linux.

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But this doesn't mean that we can do something that can be at the same level at this well-known software.

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So basically what I want to do to you is an example of one piece.

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One song I did in a rather crippled situation in which I didn't have full fledged studio to use for my production.

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And this was also my first attempt to a music production for another person, a pupil of mine and a former pupil of mine.

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Which one day asked me if I could help her to realize that song used a text she had written in Spanish.

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She is from Colombia and she had so many happy songs, not darker, like Lorenzo's one.

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Which apart from this I like very much because I was a metal head in my young years.

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Well, to many years ago forget it. Okay, so let's get into this discourse.

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Okay, so here's something that could be familiar for some of you.

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Here's a screenshot from my setup in Linux.

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I'm using all software from this distribution.

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And using a library called Audinux, which is very rich and has many software, wonderful software and this is precious for us to use.

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Fedora, it would be another distribution, but the key to this point is what do we need to do something professional?

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First of all, we have to choose one platform to use. I chose Fedora.

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And the song I made with old version of Fedora that I had installed for many years in this poor laptop that I almost melted trying to serve me for my needs.

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And so back to the song, I decided to help this woman, this one that asked me to help her.

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And so how to do this song?

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We decided that it would be a late in a regular sounding song, something very tropical and gives a summer atmosphere.

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And so I chose to use electronic sounds to do all in this box.

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Using it as less as possible externally instruments, but this not religious and we'll see in a minute.

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So I'm going to fire up our door.

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Why?

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Okay.

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Yeah.

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Let's try once again.

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Oh, nice.

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Okay.

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Oh, man.

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You're still running, so I have to close it.

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About, about.

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Okay.

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Technology is not helping me.

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So.

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What next?

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Researching is still running, but it refuses to close about.

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But.

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Okay.

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Let's close.

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Okay.

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This isn't helping me.

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So.

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We can talk about the the various phases of this production.

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And I used and I use, I'm trying to use our door as a hub for all of my work.

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So I find that it's a great piece of software and the greatest things is that is free.

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So I could load it with more than 50 tracks just for a pop song, which was made by some tracks of drums.

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Okay.

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Okay.

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More and more embarrassed.

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Yeah.

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I have to resort to this.

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Okay.

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So.

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Okay.

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Five minutes left.

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Okay.

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So.

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Okay.

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The great things, it was working one minute before the talk.

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Okay.

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So let's try.

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Okay.

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Here we are.

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Here we are.

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Okay.

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So.

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Here it is.

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The session.

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Okay.

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Okay.

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Okay.

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Well.

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Let's start with the first screen.

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Okay.

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So.

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This.

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This long, long list of instruments there is the list of all instruments I used.

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But not only because all instruments go to some buses.

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Basically what I want you to.

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Okay.

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I want to have some.

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So cold stance.

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The.

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A sub mix part of the mix of the.

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Overall mix of the of the song, which I can use.

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For.

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Other uses.

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Mastering and so on.

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So.

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I created.

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Uh, sure to.

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An order of my instruments.

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Similar to the orchestra.

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Lorenzo showed you before.

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And so I have created tracks for it.

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You can see them.

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The.

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The drums.

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So the kick drums.

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The snare.

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I had, and so on, percussions, and the base, here we are, I'm using a fretless base which

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I played.

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And I used also a synth base, we made with Helm, a synthesizer that probably, you will

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know is a free and a great piece of software, I used a very, very often.

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And this allowed me to do a sound, a base sound, which it's mixed using a human blade base

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and a synthesizer one, which has a great effect, I think.

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And so, what I did is to create a bus for all the drums, a bus for all the base

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sounds, and all the buses, which we can see, we can see, we can see, we can see, much better.

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OK, so we have, and so on, there are many, many tracks, which in their first part of the

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life were media data, so I played the parts in media, and then I convert them to audio,

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charging them into a track, every media track was converted to audio using all these instruments.

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But that's not the most interesting part, the thing that was at challenge for me, was

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to do all in this box, and to do also a sound that was not a media sound, like any sound

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we could achieve using a keyboard to a synthesizer and play it, we want a big sound,

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mastered sound, like the ones we listened to, we thought if I music as a sound, we sound

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the way we can listen to, so for me, in this song, the thing was the reference songs were,

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OK, reference song was this particular by Luis Ponce, and some other songs in this area,

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and so what I did was to use all effects and processor that were available to me,

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and mainly LSP plugin set and call, so equalizer compressors and all of them, and they were

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very precious for me, because they gave me the sound I needed, so something like this,

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Oh, but we need that, no, not that strange, any of you are only talking

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about otherwise, yeah. OK, so this is, hmm, OK, OK,

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Okay

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Configure

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Hey

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Okay, so what is interesting about this, yeah, okay, yes, I made you listen to this, there's a

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was not really wanted, but it's interesting because I put the microphone on the speakers and you could

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hear loudly the voice, the bass and the kick the drums. So that's what we can listen to every song we

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can listen to the radio on the how I had fonts or whatever at a little volume. We can hear

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that music with that clarity. And so I was able to achieve this using this session in which

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I did all the stems and then I feed them, feed them to another sequence made with order,

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that was dedicated to master. So I took the stems and I put them together with another mix

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using the input. Okay, sorry about that, I mean, we are really running short of time and

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all about it in the next presentation. Big round of applause, I mean, this is from a song that

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he has released, you can also hear it on YouTube, I think it will be a great summer hit from

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the little that I've heard so. I hope so. And then next speaker will be my co-managerie here.

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Anyway, yeah, here we can put some more leaves and you can also share your slides on first them,

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they will be able to download them there. Okay, thank you very much for your presentation.

